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British/German soprano Lara Marie Müller is based in London UK. 

Recent performances include: Yvette in La Rondine with If Opera, Soprano soloist in Mahler Symphony No.2 in Gothenburg and chorus and cover of Fiametta in The Gondoliers on tour with Scottish Opera.

Lara is a Garsington Opera Alvarez Young artist and made her debut as Papagena in Die Zauberflöte at Garsington in 2018. In 2019 she performed the role of Esmeralda in The Bartered Bride by Smetana.


She holds a BA Music with honours, an MMus in Music and spent two years on the Opera course at Guildhall School of Music & Drama. Her teacher is John Evans.

Roles at Guildhall: Belinda, Dido and Aeneas - Purcell,  La fata azzurra, La bella dormente nel bosco - Respighi, Nerina, La fedelta premiata - Haydn, 

(scenes): Adele, Die Fledermaus, Echo, Ariadne auf Naxos, Norina, Don Pasquale, Vixen, The Cunning Little Vixen, Melisande, Pelléas et Melisande, Serpetta, La finta Giardiniera, Oberto, Alcina. Concert performances include a concert with London Haydn Chamber Orchestra performing Mia speranza adorata, a Mozart concert aria (c. George Jackson) soloist in The Creation by Haydn with Monkton Combe Choral society and Mozart Vespers/Mozart Requiem with The Dorchester Choral society. Awards include: 2017 Simon Sandbach Garsington Opera Award, the Paul Hamburger prize and Wyburd Prize for Lied at Guildhall.


Prior to studying at Guildhall she studied acting on the Foundation Course at the Oxford School of Drama. She was brought up and went to school in Holland where her father is the principal cellist in the Netherlands radio philharmonic orchestra.

Lara is grateful for the support from the Guildhall Trust, Worshipful Company of Carpenters, The Kathleen trust, The Munster Trust and is a Help Musicians UK Sybil Tutton Award holder.

During lockdown Lara set up a micro-bakery from her flat in London - read more about it here

More info:

@larasbakerylondon (Instagram and Facebook)


Minor roles are well characterised, notably Lara Marie Müller’s pert Esmeralda. - Martin Kettle, The Guardian June 2019

Lara Marie Müller as the circus girl Esmeralda was as nimble in her upper register as she was on her pins

The Spectator Richard Bratby June 2019

There is a sweet Esmeralda from Lara Marie Müller and, to cap it all off, circus feats aplenty from clowns, jugglers and acrobats. 

Neil Fisher, The Times may 2019

And, her make-over does the trick: at the close, Papageno and his longed-fore Papagena (a sparklingly vivacious Lara Marie Müller) gleefully anticipate the multiplying brood they will spawn as they stumble out of their clothes with comic enthusiasm and affection

Claire Seymour (opera today) 2018

His Papagena was the vivacious Lara Marie Müller, looking as if she’d wandered in from The Cunning Little Vixen and singing with grace and wit. No one can take away the charm from ‘Pa-Pa-Pa-Pa-Pa” especially when sung with such verve

Melanie Eskenazi (Music OMH) 2018

Photographer: Sarah Wijzenbeek

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